Imagine you are the wife of a serviceman living in 1918. Your husband has miraculously survived the war and returned home to you and your children. You are aware how lucky you all are that he returned home, so many lost their loved ones, and you yourself lost a brother. You are so glad your children will be able to grow up knowing their father though. You are particularly aware how close it could have been in 1915, when he landed with the ANZACs at Gallipoli, and when you look at the stereoview which you purchased, you cannot believe what he faced.
When I showed the children this stereoview card showing Gallipoli and the ANZAC landing, the children were very moved. They had of course seen images of Gallipoli during class, but to see a stereoscopic card which was likely handled by people who saw action in Gallipoli was something which many found quite emotional. They were incredibly reverent in the way they handled the card, and it truly showed how respected and important the ANZAC spirit and Gallipoli campaign remains today.
When we think of 3 dimensional images, we tend to think of modern technology, or at the very most, of 1960s children’s toys like the viewmaster. Yet 3 dimensional images have a remarkably long history, dating right back to the 19th century. In fact, in 1838 the first stereoscope viewer, known as the Wheatstone Stereoscope, was created and in 1849 Brewster refined the design of the viewer. By the late 19th century stereoviews (or stereographs as they were also known) and the stereoscopes which were used to view them had become incredibly popular with the public, and more and more cards were being published to add to the home libraries of many owners. Of course, to make producing these images easier, stereoscopic cameras were also introduced, which could take the photos automatically, and with the views the ideal distance apart.
During the First World War though, stereoscopes began to be used for a very different purpose. Up until then stereoviews had simply been novelties or amusements. They were popular of course, but during the war people began to see the potential for planning attacks of the ability to see the battlefield in 3 dimensions. Stereoviews taken from planes allowed those using the images in planning to work out how deep trenches were, or how far away. They provided valuable information which simply could not be seen in 2 dimensional images. In World War One and World War Two stereoscopic images were used extensively, and in fact during World War Two, many Spitfire pilots who were photographing the battlefield had to fly unarmed because of the added weight of five stereoscopic cameras! The images were stitched together and made the battlefield come to life for those who were using the information in planning.